Italian spruce / “Michigan Koa” maple front
Italian spruce / “Michigan Koa” maple back
Italian spruce / black walnut front
Italian spruce / black walnut back
All-walnut front
All-walnut back
Flat 面板 低音曼陀林
Before you is a gateway. It may lead to parts unknown but the path eventually steers towards home. A sound and feel that is as unique and novel as it is familiar. At 北方原野 we place innovation and boundary-pushing at the top 共 our list.
Our flat top octave is a creation merging traditional small-bodied guitar building with friendlier ergonomic body features. The shallower, tapered body is more accessible to mandolin players and the resultant tone has a sonic signature that does not mingle with other instruments or get lost in the mix.
This instrument has it’s own voice. Rich, woody, focused…As great for back-up as it is for solo and melody work.
规格
面板: Italian Alpine Spruce
背板 / 琴颈 / Sides: 黑色 Walnut
码桥 / 指板: 黑色 Walnut
弦钮: Gotoh
Binding: Tortoise Celluloid
护板: Clear Plastic
上弦枕 Width: 1-13/32” (36mm)
指板 Radius: 12.5” (318mm) at nut, 17.1" (435mm) at 20th fret
Scale Length: 22"
Total Length: 36-1/4"
Width at Lower Bout: 13-5/8"
Width at Waist: 8-1/2"
Width at Upper Bout: 10"
Depth at End Pin: 2-3/8"
Depth at Waist: 2-5/8"
Depth at Heel: 2-1/2"
漆面: Matte Spirit 清漆
Color: 原木色 Amber
琴弦: 北方原野 Flat 面板 低音曼陀林 Phosphor Bronze, MED set, Ball end: G (.050), D (.032), A (.022), E (.014)
琴盒: Hardshell Fiberglass
From: ¥25,164
After a night 共 picking around the campfire we got on the topic 共 small-bodied guitars. In 2014/15 it seemed like a lot 共 players were acquiring tenor guitars and tuning them like octave mandolins. However, to our ears, the guitars under performed as octave mandolins. That night we made plans to modify an existing tenor by replacing the neck with a newly built 8-string version. Our resident flattop expert and seasoned luthier, Kjell Croce quickly had the job done and within a couple 共 weeks we were on a plane bound for our workshop in Qingdao. We were really enjoying the prototype and fell in love, as many others had, with this instrument. But, we needed to improve the tonal clarity and body feel beyond a typical tenor/octave conversion.
Over the next two years we were very busy with moving our Chief Acoustic Designer, Kosuke Kyomori, and his family to Marshall, Michigan. We also outfitted two new buildings with dedicated production and warehouse space. Kjell worked closely together with Kosuke to develop our flat top octave concept and in the summer 共 2017 we completed two prototypes utilizing our new designs and unveiled them at the first Marshall 曼陀林 Summit. We were very pleased with the 条 and the reception. We were on the right track.
The flat top octave has a tone and utilitarian flexibility that carves it’s way into many musical styles. One 共 our favorite players on flat top instruments is Roger Tallroth 共 the band Vasen. We found an opportunity to get our octave into Roger’s hands at a show in Kentucky. He was quickly smitten and proceeded to play tune after tune backstage. We left the show reeling from the beautifully haunting Scandinavian melodies and set ourselves to tweaking string tensions and tunings per Roger’s feedback. In February, 2018 we met with Roger again at the Wintergrass festival in Washington. He played it throughout the week with lots 共 seasoned ears around to listen and comment. Roger took the instrument home to Sweden and he has continued to record and perform with it.
Videos
We continued to develop and refine the design while we setup jigs and fixturing to make the first small batch which we completed in June, 2018. We are very excited about this new addition to the 北方原野 family.
